The Panasonic G7 is a mirrorless camera that is a direct descendent of the very first mirrorless camera ever created. Nevertheless, despite all of this, it is in no way an attempt to replicate a mirrorless camera. Instead, it is attempting to be a generic interchangeable lens camera, which is a camera that does not need you to consider whether or not it includes a mirror.
As a consequence of this, it has the appearance of a tiny DSLR and possesses all of the control points that one would anticipate. In point of fact, it has all of the control points that you would anticipate seeing on a DSLR of this price range, including a pair of control dials in addition to an abundance of buttons and switches. However, due to the fact that it is a mirrorless camera, it is able to make effective use of the touch-sensitive screen that is completely articulated on the back of the device.
Panasonic Lumix G7 Price in USA
In addition to that, the specs are quite reliable. When you take into consideration the fact that the G7 also offers focus peaking and zebra highlight warnings – two of the most important tools necessary for shooting usable video that are frequently absent from its competitors, 16 megapixels isn’t exactly cutting-edge technology at this point, but 4K (UHD) video remains something of a rarity (at the time this article was written).
The G7 also makes an effort to make its video capability useful for people who have no intention of shooting video. The most recent version of Panasonic’s “4K Photo” mode includes the option to continuously record one-second chunks of video, which are written to the memory card the moment you press the shutter button on the camera. This feature is intended to appeal to people who have no intention of shooting video. This indicates that you still attempt to “capture the moment,” but you do it with a significantly increased chance of being successful.
The design of the G7 suggests that Panasonic is hoping to attract people who are interested in purchasing DSLRs, but the level of direct control also makes it competitive with other cameras such as Sony’s a6000 (which also offers a built-in viewfinder and a reasonable degree of direct control), Olympus’s E-M10, or Fujifilm’s X-T10. This indicates that it provides somewhat of a bargain for those who desire this additional control, but it runs the danger of frightening the first-time ILC shooter.
The Panasonic may not have the most appealing design among these alternatives, but it has the most robust feature set when both video and still images are taken into consideration. It is also one of the most compact of these cameras, particularly when the size of the lenses that may be attached to it is taken into consideration.
This table should make it abundantly clear to you that, with the possible exception of a few unique characteristics, the requirements for all of the products are quite comparable to one another. Wi-Fi connectivity, built-in viewfinders, and retractable back displays are standard across the board. Those cameras that do not have image stabilization integrated into the body of the camera are typically bundled with lenses that have image stabilization built into them so that the overall capabilities of the camera are comparable.
The vast majority of these cameras have APS-C sensors, which are approximately 60 percent larger than the one found in the Panasonic or Olympus. This difference in size is what you’d expect to give these cameras a noise advantage of approximately 2/3EV, but it also makes it possible for the Panasonic and its lenses to be significantly smaller while maintaining the same equivalent focal lengths.
It’s interesting to note that the one and only DSLR we’ve covered in this article has a comparable battery life, which is rather rare, as well as a viewfinder that’s noticeably smaller, which is the trade-off that’s typically made when opting for an optical viewfinder (especially at this price piont).
Nikon’s D5500, which offers similar specifications once more but with much greater battery life (820 shots) and a 0.52x optical viewfinder, and Samsung’s NX500, which offers no viewfinder but can shoot 4K video from a small crop of its sensor and is said to offer around 400 shots per charge, are two cameras that are not included here due to space constraints. Nikon’s D5500 offers similar specifications again but with much greater battery life (820 shots).
Panasonic Lumix G7 Specifications
|MSRP||$799 (w/14-42mm lens) $1099 (w/14-140mm lens)|
|Body type||SLR-style mirrorless|
|Max resolution||4592 x 3448|
|Other resolutions||4592 x 3448, 3232 x 2424, 2272 x 1704, 1824 x 1368|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||16 megapixels|
|Sensor photo detectors||17 megapixels|
|Sensor size||Four Thirds (17.3 x 13 mm)|
|Color space||sRGB, Adobe RGB|
|Color filter array||Primary color filter|
|ISO||Auto, 160, 200, 400, 800, 1600, 3200, 6400, 12800, 25600|
|Boosted ISO (minimum)||100|
|White balance presets||5|
|Custom white balance||Yes (2)|
|File format||RAWRAW + FineRAW + StandardJPEG FineJPEG StandardMPO + FineMPO + Standard (with 3D lens in Micro Four Thirds System standard)|
|Optics & Focus|
|Autofocus||Contrast Detect (sensor)Multi-areaSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View|
|Autofocus assist lamp||Yes|
|Digital zoom||No (2x, 4x)|
|Number of focus points||49|
|Lens mount||Micro Four Thirds|
|Focal length multiplier||2×|
|Screen / viewfinder|
|Articulated LCD||Fully articulated|
|Screen type||TFT Color LCD with wide-viewing angle|
|Viewfinder magnification||1.4× (0.7× 35mm equiv.)|
|Minimum shutter speed||60 sec|
|Maximum shutter speed||1/4000 sec|
|Maximum shutter speed (electronic)||1/16000 sec|
|Exposure modes||ProgramAperture PriorityShutter PriorityManual|
|Scene modes||Clear PortraitSilky SkinBacklit SoftnessClear in BacklightRelaxing ToneSweet Child’s FaceDistinct SceneryBright Blue SkyRomantic Sunset GlowVivid Sunset GlowGlistening WaterClear NightscapeCool Night SkyWarm Glowing NightscapeArtistic NightscapeGlittering IlluminationsClear Night PortraitSoft Image of a FlowerAppetizing FoodCute DessertFreeze Animal MotionClear Sports ShotMonochrome|
|Built-in flash||Yes (Pop-up)|
|Flash range||9.30 m|
|External flash||Yes (Hot-shoe)|
|Flash modes||Auto, On, Off, Red-Eye, Slow Sync|
|Flash X sync speed||1/160 sec|
|Continuous drive||7.0 fps|
|Self-timer||Yes (2 or 10 sec, 10 sec (3 images))|
|Exposure compensation||±5 (at 1/3 EV steps)|
|AE Bracketing||±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)|
|WB Bracketing||Yes (3 frames in either blue/amber or magenta/green axis)|
|Resolutions||3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25 fps)|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (microHDMI TypeD)|
|Battery description||Lithium-Ion rechargeable battery & charger|
|Battery Life (CIPA)||350|
|Weight (inc. batteries)||410 g (0.90 lb / 14.46 oz)|
|Dimensions||125 x 86 x 77 mm (4.92 x 3.39 x 3.03″)|
The Panasonic G7 is a remarkable all-rounder that packs a decent image quality, impressive focusing performance, and the ability to record in 4K (UHD) into a compact chassis that features numerous external controls. Its user interface can be a little difficult to use at times, but it does have some brilliant features, such as the ability to utilize the rear screen as a touch pad to adjust the autofocus point when the camera is held up to the photographer’s eye.
- 4K video.
- Efficiency in performance.
- Built-in EVF.
- LCD screen with a movable touchpad.
- Dual control dials.
- 4K options for photography and post-focus zooming.
- Integrated lighting system
- When you track focus, your burst rate will be slower.
- Constructed of plastic.
- Not available with only the body by itself.