Panasonic Lumix G100 Price in USA

Panasonic Lumix G100 Price in US

The G100 is a mirrorless, 20-megapixel Micro Four Thirds camera that was developed specifically with vloggers and video makers in mind. It has a screen that flips out from the back of the device and automatically activates a number of user-friendly settings by default. Additionally, it has an audio system that can ‘track’ faces and works in tandem with the camera’s face identification technology.

However, the most important thing that Panasonic focused on was making the camera as compact as it could possibly be. As we go deeper into the specifics of the requirements, we will have a better understanding of the trade-offs that are involved.

Panasonic Lumix G100 Price in USA

The G100 may be purchased in a number of packages, including one that includes a compact tabletop tripod and a selfie grip as part of the package deal.

The camera may be purchased in the United States for $749 when paired with a small, stabilized 12-32mm F3.5-5.6 lens, or for $799 when paired with a selfie grip and the 12-32mm lens. In some regions, there is the option of purchasing the bigger and more versatile 12-60mm lens.

It should not come as a surprise that the majority of the G100’s standout features relate either to video or fulfill a purpose on the part of the company’s designers to make the camera small and light because Panasonic places a clear emphasis on vlogging.

The G100 is primarily notable for its directional audio modes, which are available on the device. Them provide a number of different ways in which the camera’s three built-in microphones may be used, and one of these uses technology that was licensed from Nokia’s ‘OZO’ VR project.

The microphones may be set to have a front, back, or surround pickup pattern, and they also come equipped with a “tracking” mode that can modify the response direction of the mic based on the face identification system of the camera. The audio is changed such that it only picks up sound coming from the direction of the identified face, while simultaneously actively reducing the amount of sound coming from any other direction, therefore reducing the amount of background noise.

In the ‘Auto’ mode of the camera, the camera will switch to the tracking mode when there is a face in the frame and switch to the surrounding mode when there isn’t.

The G100 does not have a mechanical image stabilization system; rather, it uses an electronic image stabilization (EIS) system in video mode, which is compatible with in-lens stabilization and may function in sync with it. When shooting still images, this translates to the image stabilization being provided only by the lens; however, when shooting in 1080 mode, users have the option of five-axis digital correction and when shooting in 4K, they have access to four-axis stabilization.

According to Panasonic, the EIS system that is included in the G100 utilizes the same sensors and algorithms as its physical systems, but instead of physically moving the sensor itself, it determines the region of the sensor that will be utilized. In order to accomplish this, the video will need to be cropped.

When you flip the screen around to face you, the camera automatically enters a straightforward mode called “Self Shot.” This activates the face detection and tracking audio mode, and it also brings up an onscreen touchscreen tab from which you can select a series of functions that you might want access to. These functions include options like Skin Smoothing, Effect Filters, and Background Control, which blurs the background of the image.

When the camera is set to Self Shot mode, it will also apply a three-second self-timer to the shooting of both still images and videos by default. The Touch Shutter mode is active, but additional choices are also available, such as triggering the shutter when two faces are brought into close proximity to one another.

Panasonic Lumix G100 Specifications

MSRP$749 (w/12-32 lens), $799 (w/12-32 lens and tripod grip)
Body type
Body typeSLR-style mirrorless
Body materialComposite, metal
Max resolution5184 x 3888
Image ratio w:h1:1, 4:3, 3:2, 16:9
Effective pixels20 megapixels
Sensor photo detectors22 megapixels
Sensor sizeFour Thirds (17.3 x 13 mm)
Sensor typeCMOS
Color spacesRGB, Adobe RGB
Color filter arrayPrimary color filter
ISOAuto, 200-25600 (expands down to ISO 100)
Boosted ISO (minimum)100
White balance presets5
Custom white balanceYes (4 slots)
Image stabilizationNo
Uncompressed formatRAW
JPEG quality levelsFine, standard
File formatJPEG (Exif v2.31)Raw (Panasonic RW2)
Optics & Focus
AutofocusContrast Detect (sensor)Multi-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View
Autofocus assist lampYes
Digital zoomYes
Manual focusYes
Number of focus points49
Lens mountMicro Four Thirds
Focal length multiplier
Screen / viewfinder
Articulated LCDFully articulated
Screen size3″
Screen dots1,840,000
Touch screenYes
Screen typeTFT LCD
Live viewYes
Viewfinder typeElectronic
Viewfinder coverage100%
Viewfinder magnification1.46× (0.73× 35mm equiv.)
Viewfinder resolution3,680,000
Photography features
Minimum shutter speed60 sec
Maximum shutter speed1/500 sec
Maximum shutter speed (electronic)1/16000 sec
Exposure modesProgramAperture priorityShutter priorityManual
Scene modesExpressiveRetroOld DaysHigh KeyLow KeySepiaMonochromeDynamic MonochromeRough MonochromeSilky MonochromeImpressive ArtHigh DynamicCross ProcessToy EffectToy PopBleach BypassMiniature EffectSoft FocusFantasyStar FilterOne Point ColorSunshine
Built-in flashYes
Flash range3.60 m (at ISO 100)
External flashYes
Flash modesAuto, auto w/redeye reduction, on, on w/redeye redduction, slow sync, slow sync w/redeye reduction, off
Flash X sync speed1/50 sec
Drive modesSingleBurst4K PhotoPost Focus
Continuous drive10.0 fps
Metering modesMultiCenter-weightedSpot
Exposure compensation±5 (at 1/3 EV steps)
AE Bracketing±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB BracketingYes
Videography features
FormatMPEG-4, H.264
Modes3840 x 1920 @ 30p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 25p / 100 Mbps, MOV, H.264, AAC3840 x 1920 @ 24p / 100 Mbps, MOV, H.264, AAC1920 x 1080 @ 120p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, AAC1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, AAC
Storage typesSD/SDHC/SDXC card (UHS-I supported)
USBUSB 2.0 (480 Mbit/sec)
USB chargingYes
HDMIYes (micro-HDMI)
Microphone portYes
Headphone portNo
Wireless notes802.11b/g/n + Bluetooth
Remote controlYes (via smartphone)
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionBLG10 lithium-ion battery and charger
Battery Life (CIPA)270
Weight (inc. batteries)352 g (0.78 lb / 12.42 oz)
Dimensions116 x 83 x 54 mm (4.57 x 3.27 x 2.13″)
Other features
Orientation sensorYes
Timelapse recordingYes

9Expert Score

If you evaluate the G100 as a camera with the intention of using it for vlogging, you will find that it is an example of a camera that tries to be creative in a variety of ways but is not very successful in any of these endeavors. The audio tracking capabilities are pretty impressive, but they don’t mean much when you’re dealing with a camera that struggles to hold autofocus and has such a tight crop in 4K mode that it’s useless for walk-and-talk style vlogging shots. The capabilities of the camera to track audio are pretty impressive, but they don’t mean much when you’re dealing with a camera that struggles to hold autofocus (without a really wide lens attached).
The G100 performs somewhat better when used as a still-image camera. It possesses a great viewfinder, a bright LCD screen, the option to switch lenses, and a body that is quite small. This camera is more enticing to someone who wants to quickly share what they are shooting since it has an excellent autofocus, nice out-of-camera JPEGs, and the ability to edit Raw photographs in camera.
In spite of the fact that the audio-tracking feature is ingenious and performs fairly admirably, we are unable to confidently suggest this camera for use in vlogging. Because of its focusing capabilities as well as its directional 3-capsule microphone, the Sony ZV-1 is our top recommendation for you to consider purchasing if you are in the market for a camera specifically designed for video blogging.

Build quality
Ergonomics & handling
Image quality
  • Choice of lenses Convenient charging capabilities included into the camera
  • Because of its small design and built-in viewfinder, it is an excellent option for photographers who are always on the move.
  • The capability to edit Raw photographs from within the camera.
  • Tracking sounds in a certain direction
  • The built-in flash cannot be used as a fill.
  • Focus hunting even when recording video, bad functioning of the image stabilization system when recording video
  • When filming in 4K, there is an extremely close crop.
  • Recording times of 10 minutes in 4K and 29 minutes and 59 seconds in 1080p


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