This flood of new adopters and upgraders continued with the releases of its successor, the Leica Q2, which was one of the best selling in Leica’s storied history. The Leica Q was one of the best selling in Leica’s history. Now the Q2 series offers a dedicated Monochrom version, and the new Reporter “Green” colorway has been added it to the roster of this tiny powerhouse combination in the shape of the Leica Q2 Reporter. Both of these colorways are available for the Leica Q2 Reporter.
The Q2 Reporter is, in all practical respects, identical to the first-generation Q2. You can still manually focus the lens if you want to, but it’s not really necessary to do so. It still boasts the wonderfully crisp Summilux 28mm f/1.7 As wide-angle lens and features complete manual control, so those coming from the Leica M system need not fear.
Leica Q2 Reporter Price in USA
The red dot Leica logo, which can only be seen on the Q2 reporter when the camera is turned off, is not present on the reporter colorway. This is because the red dot Leica logo can only be seen on the camera when it is turned off. For a tidier and more impartial appearance, the lens distance scales and focal length colors have been changed to white and gray respectively. According to Leica, the photographer can remain unnoticed when covering reportage or documentary style photography thanks to the camera’s dark green color in a matte finish, which is comparable to the color of Leica’s “Safari” editions. Of course, you can’t forget that this reporter version features the same color as Leica’s “Safari” editions, which makes it more understated than its counterparts.
The subject matter you are shooting will determine whether or not this actually makes you less recognizable, but there is no disputing that the Q2 in this hue looks extremely gorgeous!
The textured leather grip that surrounded the Q2 has been removed for the Reporter model, and it has been replaced with Kevlar that has been designed to “wear” as you use the camera. This means that the texture and weave of the Kevlar will become slightly fibrous as you continue to use the camera, which will provide you with a better grip on the camera as you continue to use it. This is an interesting concept, and I like it.
In addition to being an excellent stills camera, the Q2 Reporter, much like the original Q2, is capable of recording video in the 4K resolution. You have the option of selecting normal 4K, which has a resolution of 3840 x 2160 pixels, or you may go for Cinema 4K, which has a resolution of 4096 x 2160 pixels. With 4K, you have the option of recording at either 30 or 24 frames per second, but with C4K, you can only record at 24 fps. If you turn the resolution down to Full HD, you will have the choice to play the slow-motion video at either 120 or 60 frames per second. Even though I see this camera as being geared toward photographers, the inclusion of video options and the capability to tap the touchscreen on the fly and quickly take a video can be very useful, particularly for multi-media news coverage. Even though I see this camera as being geared toward photographers, having these video options as someone in the field out reporting can be very helpful.
The electronic viewfinder (EVF) of the Q2 Reporter, just like the one on the original Q2, is a delight to operate. Being a user of the Leica M and being accustomed to rangefinder focusing, it did take me a little bit of time to get used to it; however, once I was up to speed with the electronic viewfinder, I enjoyed its automatic on/off function when you put the finder up to your eye; you can see a lot of detail thanks to its 3.68 million dots; and once you take an image, you are presented with it in the viewfinder to make sure that you have hit critical focus.
If you have this function turned on and set to single image capture, rather than continuous, and you want to quickly take three or four images in a row of some action that is happening around you, the EVF and it will lag slightly, showing you the image you have taken, rather than seeing what is happening, instead of “blacking out.” I must note that if you have this function turned on and set to single image capture, rather than continuous, and you want to quickly take three or four images in a row of some action If you want to photograph using single picture capture as I do, you should think about the image obstruction more. This is a little topic, but I believe it is one that should be acknowledged.
You can control features without having to dig into menus unnecessarily thanks to the touch-sensitive LCD, which continues to be a 3-inch display with 1.04 million dots and offers the distinct advantage of being touch-sensitive. This is beneficial for situations in which you are constantly on the move.
The liveview is quite clear, and the ability to touch the screen to focus is another another fantastic function that can be found on such a little camera. The screen on the Q2 Reporter, despite how attractive and streamlined it may be, is immovable. Therefore, if you are a user who shoots a lot in liveview and enjoys having a tilting screen, the Q2 Reporter may not be the right camera for you.
I noticed that the autofocus was quick and sensitive, and that it consistently achieved the critical focus that I had set for it. There is a wide selection of autofocus modes accessible, such as multi-point, one-point, tracking, face detection, touch AF, and so on. But the real party trick is the ease with which you can switch to and from manual focus by simply pressing down on the focus tab, releasing the lens for full manual operation (this will enable magnification and focus peaking if you want it), and by simply returning the focus past infinity, the lens will return to full AF operation – it’s that simple and straightforward!
In addition to this focus ring and the mechanical aperture ring, both of which are silky smooth as you would expect from Leica, there is also a macro ring that, when engaged, allows you to focus from 0.17 meters to 0.3 meters. However, because this lens is so wide, the magnification ratio that you get is not particularly impressive.
Leica Q2 Reporter Specifications
|Sensor Resolution||Actual: 50.4 Megapixel|
Effective: 47.3 Megapixel (8368 x 5584)
|Sensor Type||Full-Frame CMOS|
|Image File Format||DNG, JPEG|
|Digital Zoom||2.7x Maximum|
|Focus Range||11.81″ to Infinity / 30 cm to Infinity|
6.69″ to Infinity / 17 cm to Infinity
|Optical Design||11 Elements in 9 Groups|
|Filter Size||49 mm|
|ISO Sensitivity||Auto, 50 to 50000|
|Shutter Speed||Mechanical Shutter|
1/2000 to 60 Seconds
1/40000 to 1 Second
|Metering Method||Center-Weighted Average, Multi, Spot|
|Exposure Modes||Aperture Priority, Manual, Program, Shutter Priority|
|Exposure Compensation||-3 to +3 EV (1/3 EV Steps)|
|White Balance||Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Incandescent, Shade|
|Continuous Shooting||Up to 10 fps|
|Special Options||Fireworks, Landscape, Miniature Effect, Night Portrait, Panorama, Portrait, Sports, Sunset|
DCI 4K (4096 x 2160) at 24.00p
UHD 4K (3840 x 2160) at 24.00p/29.97p
Full HD (1920 x 1080) at 24.00p/29.97p/59.94p/119.88p
|Audio Recording||Built-In Microphone (Stereo)|
|Audio File Format||AAC|
|Diopter Adjustment||-4 to +3|
|Display Type||Fixed Touchscreen LCD|
|External Flash Connection||Hot Shoe|
|Media/Memory Card Slot||Single Slot: SD/SDHC/SDXC|
|Battery Type||1 x BP-SCL4 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh (Approx. 370 Shots)|
|Dimensions (W x H x D)||5.1 x 3.1 x 3.6″ / 130 x 80 x 91.9 mm|
|Weight||1.58 lb / 718 g (Body with Battery)|
|Package Weight||4.795 lb|
|Box Dimensions (LxWxH)||9.3 x 8.7 x 6.6″|
A Leica Q2 Reporter camera. It has the appearance of a compact M11 and can do several functions that are unavailable on Leica cameras with rangefinders. A bulky fixed Summilux 28mm f/1.7 lens that incorporates autofocus, a macro range for close focusing, weather sealing to an IP52 level, 10 frames per second, and simpler handling in addition to a Kevlar protected body. It is, of course, fundamentally a Leica Q2 with some stylistic upgrades, such as a green paint finish, Kevlar that will age to the color of the paint finish, and the absence of a red dot that would otherwise draw attention to itself. As a result, it transforms into a low-key reportage camera that doesn’t draw any attention to itself. It is also a really useful and user-friendly camera that is capable of producing some photographs that are genuinely outstanding and is deserving of the Leica brand name. All of this is available at a price that is quite a bit lower than that of an M11 with lens, but still at a price that is not trivial for a Leica product.
- Excellent standard of construction
- Superb picture quality
- Incredible performance both in auto and manual focus
- LCD display that is fixed
- EVF lag (sometimes)