Leica M-A Price in USA

Leica M-A Price in US

For all intents and purposes, the Leica M-A (Typ 127) ($4,750 for the body only) shouldn’t even be a thing. It’s a throwback to the days when digital photography was as much science fantasy as interplanetary travel is now; it’s a completely mechanical camera, and of course, its “memory card” is a roll of 35mm film. Surprisingly, it is not the only 35mm camera that Leica produces; the firm still makes the M7 ($4,995) and the MP ($4,995), both of which contain in-camera light meters. The M-A, on the other hand, is an excellent choice if you want an old-fashioned camera that relies only on mechanical components. It is the current option that comes the closest to buying a brand new Leica M2, M3, or M4 camera.

The M-A ($4,904.95 at Amazon)(Opens in a new window) has a physical design that is almost exactly the same as M bodies manufactured as far back as the 1950s. It is possible to distinguish it from the very first M body, the M3, but in order to do so, you will need to have a deeper understanding of the classic M cameras than the average person. The fundamental proportions of 35mm M cameras haven’t altered much in the past 60 years; the M-A measures 3 by 5.4 by 1.5 inches (HWD) and weighs 1.3 pounds even when it doesn’t have a lens or film loaded into it.

Leica M-A Price in USA

It is surprising how heavy the camera is when one considers how little it is. But the building’s structure is quite sturdy. If you want silver or black chrome for the finish, the top and bottom plates are made of solid brass. Our test device was finished in black chrome, and it is almost completely free of marks or logos. This gives it an appearance and feel that is comparable to that of the digital M Monochrom ($4,904.95 at Amazon) (Opens in a new window). The front of the camera does not have any marks of any kind, but the top plate has the famous Leica script logo etched on it. This version of the camera is silver chrome. When combined with the fixed film advance lever and button rewind system, its look is quite similar to that of Leica’s first M-mount camera, which was the M3. Film bodies of more recent generations of Leica cameras, such as the M6 and the current M7 model, include a film advance lever that is hinged in the middle, and the film rewind crank is slanted.

Black chrome does not deteriorate over time in the same way that black paint does; Leica employs black paint on certain of its models, including the digital M (Typ 240), which retails for $4,904.95 on Amazon.

(will open in a new window), as well as 35mm MP. The question of whether or not you think this is a positive development comes down to a matter of taste. After having experience with both black paint and black chrome Leica cameras, I find that I prefer black paint. When it finally wears away, it reveals the brass that’s underlying, which gives the camera a gorgeous patina. Chrome is a lot more durable and won’t wear away in the same way, although over time it could acquire some minor scratches and scuffs.

The number of controls is quite limited; the top plate is home to a shutter speed dial, a shutter release button, and a film advance lever. The lens is what determines the size of the aperture. A button that releases the lens, a lever that activates the film rewind mechanism, and another lever that enables manual selection of the frame lines that are displayed in the optical finder are all located on the front of the camera. You can preview the field of view of a different lens using the lever, which is a helpful tool for visualizing a scene without having to make a lens change. The M-A will automatically show different pairs depending on which lens is attached. The 28mm and 90mm lines, the 50mm and 75mm lines, and the 35mm and 135mm lines are all paired together.

The optical finder has a magnification of 0.72x, which reveals just a small bit of space outside of the 28mm frame. In the middle of the optical finder is a bright, high-contrast rangefinder patch. If you shoot with eyeglasses, like I do, you might have a little trouble seeing the full 28mm frame at once. However, there are screw-in diopters that you can use if your prescription permits it; these will enable you to shoot without glasses. Even if Leica does not provide a new M-A with a different finder magnification, you can still purchase an à la carte MP or M7 with either a wider 0.58x finder or a finder with a greater magnification of 0.85x. This will open in a new window. The first benefit is beneficial if you often photograph with a wide-angle lens, while the second benefit is helpful if you typically shoot with a longer lens or use lenses that have very wide apertures. When shooting with a lens such as the Noctilux-M 50mm f/0.95, or even with a more modest lens with a longer focal length such as the APO-Summicron-M 90mm f/2 ASPH ($4,904.95 at Amazon), the larger magnification of the 0.85x finder increases the focus accuracy of the photographs. (Does so in a new tab or window) As things stand, I was able to focus my Summilux-M 50mm f/1.4 ASPH. ($4,904.95 at Amazon)(Opens in a new window) at its widest aperture using the 0.72x finder that the M-A uses without any problems.

The film advance mechanism in this camera is among the very best you’ll find in any camera. It’s as silky and refined as an M3, which is saying something. Many people believe that the feel of the film advance in an M3 can be attributed to the fact that the gears inside of it are made of brass. In later models, such as the M-A, stainless steel gearing was utilized by Leica because of its superior robustness when paired with a motor drive. And despite the fact that Leica does not have a motor drive that is designed to work exclusively with the M-A, it is compatible with the Leicavit M fast winder, as well as the Motor-M, Winder-M, Winder M4-P, and Winder M4-2.

The fabric shutter is almost completely quiet; when it fires, all you’ll hear is the tiniest clicking sound. When compared to a 35mm single-lens reflex camera, the lack of a reflex mirror in a digital SLR significantly reduces vibrations. The discreet operation comes at a cost, since the shutter speed is limited to a maximum of 1/1,000 of a second. This is slower than the shutter speeds available on many modern 35mm film cameras and digital SLRs, which can either fire at 1/4000 of a second or 1/8,000 of a second, respectively. If you’re shooting in darker surroundings or with film that has a very low speed, this won’t be much of a problem for you. But if it’s a sunny day and you’re using a film with an ISO of 400, like the roll of Kodak Tri-X that Leica offers in the package, you won’t be able to fire off a photo at f/1.4 without the assistance of a high-quality neutral density filter. One that reduces the amount of light by three stops seems to be the most appropriate choice for the current circumstances.

Leica M-A Specifications

Lens MountLeica M bayonet
Lens SystemLeica M lenses from 16-135mm focal length

Camera

TypeMechanical rangefinder
Film Format35 mm
Exposure ControlManual (shutter speed on body only; aperture on attached lens)
External Flash ConnectionHot shoe with center contact
Flash SynchronizationWith first curtain; up to 1/50 sec.
Shutter TypeFocal plane; mechanical rubber blanket slotted shutter with horizontal movement
Shutter Speed Range1 to 1/1000 sec. (in 1 EV increments), bulb

Viewfinder

TypeBright line frame viewfinder with automatic parallax correction
EyepieceCalibrated to -0.5 dpt (optional corrective lenses available)
Parallax CorrectionHorizontal and vertical offset between viewfinder and lens axis automatically compensated for according to relevant distance setting

At the shortest possible distance for each focal length, the bright line frame size corresponds to an image of approx. 23 x 35 mm. When set to infinity, depending on the focal length between 9% (28mm) and 23% (135mm) more is captured by the film than is shown in the corresponding bright line frame
Magnification0.72x
Rangefinder Basis49.9 mm (mechanical measurement basis of 69.25 mm x viewfinder magnification of 0.72x)
Split or superimposed image rangefinder shown as bright field in the center of the viewfinder image

Physical

Film LoadingManual film loading after opening the bottom cover and the rear panel
Film WindForward: Manual winding with quick wind lever (compatible with optional motorized winders)
Rewind: Manually with pull-out rewind button, after moving the R lever on front of camera
Tripod Mount1/4″
Dimensions5.4 x 1.5 x 3.0″ / 138 x 38 x 77 mm
Weight1.3 lb / 578 g

Packaging Info

Package Weight4.35 lb
Box Dimensions (LxWxH)8.7 x 8.6 x 6.5″
8.5Expert Score
Good

In today’s market, it is reasonable to assume that only Leica would have the audacity to create a totally mechanical, meterless 35mm body, much alone offer it a price tag as high as the M-A. (Typ 127). It’s a specialized product, but it’s been constructed with such precision that it’s hard not to be impressed by it. Those who covet the most recent full-frame Canon D-SLR may think that aficionados of rangefinders are dinosaurs or oddballs, yet Leica continues to pander to its core clientele. If I were going to spend this much on a new 35mm camera, I would go with an MP; nevertheless, photographers who learned their craft on older Leicas are likely to appreciate the M-clean A’s viewfinder, which is devoid of any type of projected shutter speed or exposure information. If you decide to get a brand new M-A, you may have peace of mind knowing that it is a camera that, as long as it is cared for properly, will serve you for the rest of your life. You cannot make such a statement about any digital camera that is currently on the market.

Build quality
8.5
Ergonomics & handling
8.5
Features
7
Image quality
9
Performance
7
Connectivity
8
Value
8.5
Pros
  • Unbelievable level of craftsmanship.
  • A viewfinder that is both bright and clear.
  • A shutter that is nearly soundless.
  • PC sync socket.
  • Requires no batteries.
  • Included in the package is a roll of Tri-X.
  • Chrome or black finish options are available.
  • The entire process is carried out mechanically.
Cons
  • Expensive.
  • The fastest possible shutter speed is 1/1,000 of a second.
  • No metering is done in-camera.
  • 1/50 of a second is the maximum sync speed.

Tags:

We will be happy to hear your thoughts

Leave a reply