The Fujifilm GFX 100S is the next logical step in the evolution of the company’s medium format portfolio. It incorporates a 100-megapixel sensor into a body that is designed to resemble a DSLR and has a single grip. However, you should not confuse predictability with complacency since the GFX 100S is a really powerful camera.
The GFX 100S contains the same 102MP BSI CMOS sensor as the original GFX 100, but it is installed within an image stabilization system that is both smaller and more powerful. It is housed within the camera’s relatively compact housing. Fujifilm has developed an extremely powerful camera that is also quite inexpensive. This was accomplished by combining technology from the GFX 100 with components from the APS-C sensor X-T4.
Fujifilm GFX100S Price in USA
Fujifilm has applied a significant amount of the shrinking work that went into its more rangefinder-like 50R camera here in the GFX 100S, which has resulted in a camera that is significantly smaller than both the original GFX 50S and the GFX 100 with twin grips. However, according to the firm, in contrast to the 50R, a body in the form of a DSLR was required, with the viewfinder component located on the top of the camera. This was necessary in order to enable the incorporation of an image stabilization system a viable option.
The GFX 100S has a control configuration that is quite similar to that of the dual-grip version of the original GFX 100. It has a huge LCD display on the top plate and a comparable number of custom buttons. On the left shoulder of the camera, where the GFX 100 had a button-within-a-dial design, the GFX 100 has been replaced with a normal mode dial and a movie/stills switch.
The image stabilization technology is built right into the body of the GFX 100S camera. In the same way that Fujifilm has been able to continue to miniaturize the IS systems used in its X-H1, X-T4, and X-S10 models, it has also been able to reduce the size of the mechanism from the original GFX 100 so that it can fit in a smaller body. This makes it possible for the camera to be used in situations where space is at a premium.
A broader, flatter nub with a textured surface has taken the role of the four-way joystick that was included on earlier models of the GFX camera. This nub now enables control in the diagonal direction in addition to the vertical and horizontal planes.
Because to its reduced profile, it is now much simpler to move the autofocus point about or traverse the menus without running as great a risk of pressing it inwards by accident, which, as was the case in the past, either resets the AF point or confirms the current menu option.
The GFX 100S now has a total of 13 different Film Simulation modes, one of which is called Nostalgic Neg. According to Fujifilm, this was modeled by the unique aesthetic that was accomplished by American color film photographer Stephen Shore.
The ‘Nostalgic Neg’ filter seeks to deliver somewhat amber-tinted highlights, sky that are cyan-ish, saturated reds, and deep shadows as an additional alternative for creating photographs that have a vintage appearance. As is customary, the impact is not extremely obvious; as a result, it offers a desirable alternative without veering into the realm of excessively powerful “Instagram filter” effects.
As a result of the switch to a smaller body style, the battery that is used in the GFX 100S is likewise smaller when compared to the battery that was used in the GFX 100. It utilizes the same W235 battery that was initially presented with the X-T4, which is quite a bit more compact than the NP-T125 battery that was utilized in the earlier GFX bodies. According to CIPA standard testing, the GFX 100S is certified for a rather decent 460 photos per charge while utilizing the LCD. This is despite the fact that the camera’s physical dimensions and electrical capacity have been reduced.
Fujifilm GFX100S Specifications
|Body type||SLR-style mirrorless|
|Body material||Magnesium alloy|
|Max resolution||11648 x 8736|
|Image ratio w:h||1:1, 5:4, 4:3, 3:2, 16:9|
|Effective pixels||102 megapixels|
|Sensor size||Medium format (44 x 33 mm)|
|Color space||sRGB, Adobe RGB|
|Color filter array||Primary color filter|
|ISO||Auto, 100-12800 (expands to 50-102400)|
|Boosted ISO (minimum)||50|
|Boosted ISO (maximum)||102400|
|White balance presets||7|
|Custom white balance||Yes (3 slots)|
|CIPA image stabilization rating||6 stop(s)|
|Uncompressed format||RAW + TIFF|
|JPEG quality levels||Super fine, fine, normal|
|File format||JPEG (Exif v2.3)Raw (14/16-bit RAF)TIFF (8/16-bit)|
|Optics & Focus|
|Autofocus||Contrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View|
|Autofocus assist lamp||Yes|
|Number of focus points||425|
|Lens mount||Fujifilm G|
|Focal length multiplier||0.79×|
|Screen / viewfinder|
|Screen type||TFT LCD|
|Viewfinder magnification||0.61× (0.77× 35mm equiv.)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/4000 sec|
|Maximum shutter speed (electronic)||1/16000 sec|
|Exposure modes||ProgramAperture priorityShutter priorityManual|
|External flash||Yes (via hot shoe or flash sync port)|
|Flash X sync speed||1/125 sec|
|Continuous drive||5.0 fps|
|Exposure compensation||±5 (at 1/3 EV steps)|
|AE Bracketing||±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps)|
|Format||MPEG-4, H.264, H.265|
|Modes||4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM|
|Storage types||Dual SD/SDHC/SDXC cards (UHS-II supported)|
|USB||USB 3.2 Gen 1 (5 GBit/sec)|
|Wireless notes||802.11ac + Bluetooth|
|Battery description||NP-W235 lithium-ion battery & charger|
|Battery Life (CIPA)||460|
|Weight (inc. batteries)||900 g (1.98 lb / 31.75 oz)|
|Dimensions||150 x 104 x 87 mm (5.91 x 4.09 x 3.43″)|
Incredible medium format mirrorless camera that Fujifilm has created with the GFX 100S. The sensor in the camera has the same 102 megapixels as the one in the original GFX 100, but the body of the camera is much smaller, and the price has been reduced by a large amount, while maintaining the great majority of its capabilities. Although the beginning price is cheaper than it was for the GFX 50S that was released four years ago, the feature set has greatly improved since then.
For me personally, this is the GFX camera that I have been looking forward to getting my hands on. My interest was piqued by the first GFX 100, but the large size and high cost made purchasing one impossible for me. Although I enjoyed using the GFX 50R, I have found that the GFX 100S is a much better option for the type of photography I do. Despite its smaller size and cheaper price point, the GFX 50R was not the best choice for me. The GFX 100S has a body design that is more similar to that of a DSLR, which makes it considerably simpler to carry for longer periods of time. Additionally, it better distributes the weight of the bigger GF lenses than the 50R did. My expectations were not met by the performance of the in-body image stabilization, and I am amazed by the engineering that was required to fit the extended feature set into such a compact and lightweight camera body. Not to mention the fact that the sensor has twice as many megapixels as the GFX 50R!
- a 100-megapixel sensor with stabilization
- Many film looks available
- Resistant to dust, splashing, and freezing temperatures
- Display on the back that has two hinges
- 400MP multi-shot mode
- Raw processing done inside the camera
- 10-bit recording in 4K resolution with F-Log profile
- Burst capture fills buffer fast
- Undersized handgrip
- In general, lenses are bigger than full-frame cameras.
- Large file sizes