The Fujifilm GFX 50S is the first camera released by the business as part of their brand-new GF series for medium format cameras. A Bayer filter array is used into its 51.4-megapixel Medium Format CMOS sensor. It features classic style and straightforward controls in a well-balanced (although huge) mirrorless chassis, just like its brothers in the X-series that have lower sensor sizes.
The surface area of the sensor of the GFX 50S, which measures 43.8 by 32.9 mm, is less than that of film medium format. On the other hand, its dimensions and pixel count are identical to those of the majority of medium format digital cameras that are now available on the market (with the exception of the Phase One XF and the Hasselblad H6D). The sensor has a surface area that is 1.7 times that of full frame.
Fujifilm GFX 50S Price in USA
The GFX 50S is a totally new system that use the most recent iteration of the ‘G’ mount. There will initially be a selection of three lenses, with an additional three to follow before the end of the year. In the space of just five years, the business has added 23 lenses to the lineup of lenses compatible with the X-mount, transforming a fledgling system into one that offers a wide variety of options. If the small selection of lenses has you concerned, don’t worry. Therefore, it is very possible that new GF lenses will be revealed in the very near future.
During our conversation with Fujifilm for Photokina, they made a passing reference to the idea that the firm has been feeling ready to expand for some time. This makes perfect sense: given the large number of manufacturers now competing in the Full Frame market, it makes perfect sense to skip over that format entirely. It is also an effective method for preventing different product lines from eating into the sales of one another.
Although the camera has many similarities to its high-end X-series brothers, the X-Trans sensor array is not one of those similarities. Instead, the GFX 50S has a Bayer sensor array, which is more conventional. The rationale for this is that Bayer simplifies the complicated signal processing that would otherwise be necessary when dealing with information coming from such a big sensor.
Fujifilm GFX 50S Specifications
|Body type||SLR-style mirrorless|
|Body material||Magnesium alloy|
|Max resolution||8256 x 6192|
|Image ratio w:h||1:1, 5:4, 4:3, 3:2|
|Effective pixels||51 megapixels|
|Sensor size||Medium format (44 x 33 mm)|
|Processor||X Processor Pro|
|Color space||sRGB, Adobe RGB|
|Color filter array||Primary color filter|
|ISO||Auto, 100-12800 (expands up to 102400)|
|Boosted ISO (maximum)||102400|
|White balance presets||7|
|Custom white balance||Yes|
|Uncompressed format||RAW + TIFF|
|JPEG quality levels||Super fine, fine, normal|
|File format||JPEG (Exif v2.3)Raw (14-bit RAF)TIFF (via Raw conversion)|
|Optics & Focus|
|Autofocus||Contrast Detect (sensor)Multi-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View|
|Number of focus points||425|
|Lens mount||Fujifilm G|
|Focal length multiplier||0.79×|
|Screen / viewfinder|
|Viewfinder magnification||0.67× (0.85× 35mm equiv.)|
|Minimum shutter speed||360 sec|
|Maximum shutter speed||1/4000 sec|
|Maximum shutter speed (electronic)||1/16000 sec|
|Exposure modes||ProgramAperture priorityShutter priorityManual|
|External flash||Yes (via hot shoe or flash sync terminal)|
|Flash modes||Auto, standard, slow sync, manual, off|
|Flash X sync speed||1/125 sec|
|Continuous drive||3.0 fps|
|Self-timer||Yes (2 or 10 sec)|
|Exposure compensation||±5 (at 1/3 EV steps)|
|AE Bracketing||±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)|
|Storage types||SD/SDHC/SDXC (dual slots, UHS-II supported)|
|USB||USB 3.0 (5 GBit/sec)|
|Remote control||Yes (via cable or smartphone)|
|Battery description||NP-T125 lithium-ion battery & charger|
|Battery Life (CIPA)||400|
|Weight (inc. batteries)||920 g (2.03 lb / 32.45 oz)|
|Dimensions||148 x 94 x 91 mm (5.83 x 3.7 x 3.58″)|
The Fujifilm GFX 50S is the camera that will usher the firm into the medium format digital market. The philosophy of Fujifilm’s APS-C X-series cameras is combined with that of a more capacious sensor in this camera. Although there is a large number of control points, the image quality is superb, and the autofocus is accurate, you should not expect it to be able to concentrate on things that are moving. The GFX 50S’s restricted lens choices (at launch) and sluggish maximum apertures are the only things that are genuinely preventing it from attaining its full potential as a camera. In spite of this, it is capable of producing the highest image quality we have seen in any of our tests to this far, and it is a really pleasant camera to use overall.
- High image resolution is produced by the 51.4 megapixel, 44 x 33 mm sensor.
- High-quality images in Raw and JPEG formats respectively.
- ISO invariant behavior applied at ISO settings higher than 1600 to provide growing degrees of highlight recoverability
- The Contrast Detect AF system is reliable and accurate.
- In sensor sizes greater than APS-C, Fujifilm's color science and color chrome effect are now available.
- Controls that are more direct provide for a more engaging shooting experience.
- The combination of the AF joystick and the touchscreen makes picking an AF point easy and efficient.
- The touchscreen can rotate in both the vertical and horizontal planes.
- Protection from the elements and a robust construction quality
- Comfortable ergonomics
- Lots of buttons that can be customized
- Dual card slots provide you greater capacity and flexibility.
- The electronic first curtain shutter mode helps to reduce the potential for shutter shock.
- The absence of a mirror allows other MF systems to escape the mirror-induced shock.
- Processing raw data in-camera provides access to a superior JPEG engine, which may be utilized to its maximum potential.
- Wi-Fi that is simple to use
- Native lenses that are notoriously slow do not exploit the full potential of the camera's sensor.
- Contrast Detect AF rates can be poor even in moderate light, and they frequently fail in low light or situations with strong backlighting.
- A flash sync speed that is rather slow
- Because to the ongoing hunts, AF-C is almost completely useless.
- Moiré is seen in exquisite detail and patterns
- "Shimmering" and moiré in the electronic viewfinder (EVF) when focus is being adjusted
- In total (silent) E-shutter mode, there is a noticeable amount of rolling shutter.
- With Auto ISO, there is no way to bind the minimum shutter speed to the focal length.
- Changes in coloration visible at the higher ISOs
- No ISO 100 during video capture
- There is no designated international comp dial.
- Because of its location, the rear dial is sometimes difficult to turn.
- At debut, there was just a limited range of lenses.